Overview:

Through the Eyes of a Master — “See Through Their Eyes. Shoot With Your Heart”

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See Through Their Eyes –

Now that you’re confident behind the camera, join Brian in looking beyond the settings and into the stories. In this series, you’ll study the work of influential photographers—discovering how their approach to light, shadow, composition, and subject can shape and deepen your own creative perspective.

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Designed for photographers who have already built a technical foundation, this class moves into the aesthetic and emotional dimensions of photography. Through a liberal-arts approach that blends art history, visual analysis, and thoughtful discussion, participants will engage photography as both craft and expression.

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Each session features an in-depth exploration of a master photographer—examining their biography, artistic voice, historical context, and visual language. Together, we’ll interpret their work in a discussion format reminiscent of a book club, where ideas are exchanged and insights are refined.

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‍Shoot With Your Heart -

‍Participants will then complete a creative assignment inspired by the featured photographer’s vision. Much like musicians’ study and interpret great composers before developing their own style, students are encouraged to thoughtfully emulate elements of the photographer’s approach as a pathway toward discovering their own voice. In the second session, your own images become part of the dialogue, as we gather for a guided critique focused on growth, interpretation, and personal voice.

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During this two-part class, like a book club, you’ll take part in a 2–3-hour lecture and discussion focused on the featured photographer, followed by a homework assignment and student critique session where your own work becomes part of the conversation.

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This bi-monthly series offers the opportunity to discover six new photographers—and a deeper understanding of your own creative voice—throughout 2026.

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A perfect class for photographers eager to bridge technique and artistry while discovering fresh inspiration through the eyes of the masters.

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Topics Include

The Critique Class invites photographers to explore the art, history, and meaning behind the image—learning how to see with the insight of those who helped shape photography itself.

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• A study of each featured photographer’s biography and artistic journey, understanding how their life and environment influenced their work.
• An exploration of the historical context and cultural significance of their photography, examining why their images mattered in the time they were created.
• A close look at the style, themes, and visual language that defines each artist’s approach to light, composition, and storytelling.
• Group discussion and critique of the photographer’s work, followed by a creative assignment inspired by their signature techniques and concepts.

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Together, these elements create a space to grow as an artist and observe developing a deeper appreciation for photographic expression and your own evolving voice behind the lens.

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Key Concepts Practiced:

• Analyzing and interpreting photographic style, composition, and visual intent.
• Understanding how historical context and artistic movement influence imagery.
• Identifying recurring themes, motifs, and emotional tone in a photographer’s work.
• Developing a personal vocabulary for discussing and critiquing photographs constructively.
• Applying artistic concepts and stylistic techniques to your own creative assignments.

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Take Your Photography Knowledge to the NEXT Level

‍Tuition

$99.00

Click Here to Register!

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Format: Live, online two-part experience:

Part I. (2–3-hour lecture and discussion)

Part II. (2–3-hour student critique and discussion)

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About Your Instructor: Brian Rabin

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Brian is a certified photographic consultant and The Industrial Sales Manager at Mike's Camera in Boulder. Brian is a seasoned photographer and a lead instructor at Mike's Camera. He is well known for his enthusiasm and passionate instruction style and brings over 20 years of experience in various photographic disciplines including event photography, portraiture, macro and street photography. His work has appeared in one-man shows, group exhibits and has been published in national and local magazines.